Out of Character: Decoding Chinese Calligraphy

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(This is an excerpt of a press release by the Asian Art Museum)

Chinese calligraphy-long considered the most sublime art form in China-is like a carefully choreographed dance, its steps guided by tradition. By manipulating a brush with varied movements and pressures, calligraphers create sensuous strokes: their ink dances across surfaces of silk, satin, or paper, presenting balance within a character, harmony among words, and rhythm across lines of text. With mind and hand in accord, calligraphers express the strength of their character through their characters.

This fall, the Asian Art Museum presents Out of Character: Decoding Chinese Calligraphy, a compelling new exhibition examining the complexities of this time-honored art form through 40 calligraphies-including 15 noted masterworks, many on public view for the first time-all borrowed from the significant collection of Bay Area entrepreneur Jerry Yang. The calligraphies are supplemented with three major abstract expressionist paintings by Brice Marden, Franz Kline, and Mark Tobey, plus a newly commissioned video installation by acclaimed international contemporary artist Xu Bing. Together, these artworks offer a stimulating exploration of creativity expressed within the constraints of artistic discipline.

The exhibition is accompanied by an extensive catalogue featuring essays by leading calligraphy experts, as well as a multimedia tour-including the perspective of Jerry Yang-and other public programs.

Out of Character is on view at the museum October 5, 2012, through January 13, 2013. The Robert H. N. Ho Family Foundation is the Presenting Sponsor of the exhibition.

After its presentation at the Asian Art Museum, the exhibition is scheduled to tour to the Metropolitan Museum of Art, New York, in 2014.

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